Graphic

Explore 745 award-winning designs tagged Graphic on Design Today.

Brand: Rana Hossam Gaber Design Type: Corporate Identity Classification: Graphic

Grand Egyptian Museum

Grand Egyptian Museum is a corporate identity for a museum of ancient Egyptian artifacts. The logo is built from five hieroglyphs that read Egypt, combined into a geometric and simple form. The elongated rectangular shape is inspired by the cartouche, a frame that indicates a royal name. Black is the primary color, because the banks of the Nile were called the Black Land. The secondary colors are inspired by ancient Egyptian jewelry. Roboto is the main typeface, as its angles and curves match those of the logotype. An experimental signage system was developed.

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Brand: Elena Gamalova Design Type: Brand Identity Classification: Graphic

Albella

Villa Albella's visual identity captures the soul of Tuscany's cultural heritage while embracing a vision for a place that serves as a sanctuary for culture, history, and unity, a vibrant hub of artistic expression, culinary exploration, and intercultural dialogue. The design seamlessly blends tradition with modernity. The incorporation of two floral branches symbolizes unity amidst diversity, rooted in a shared history. Beyond preserving heritage, this project fosters meaningful cross cultural exchange and appreciation, embodying a commitment to serenity and enrichment.

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Brand: Fullspeed Network Technologies(HangZhou) Co.,Ltd. Design Type: Brand Logo Design Classification: Graphic

Yuan Li Sheng Huo

Yuan Li Sheng Huo is a brand logo created for a retail brand offering refined daily essentials. The logo is built from a hexagon formed by cutting triangles from a square, producing a shape that recalls a box able to hold many items. Circles within the mark suggest small planets and echo the sound of the brand name. A vibrant orange serves as the main color, and the characters are drawn with fluid lines at consistent slant angles. The logo is applied to product packaging to support brand recognition among young adults.

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Brand: Menghao Zeng Design Type: Brand Identity Classification: Graphic

Atb

Atb is a brand identity created for a manufacturer of screen protectors, tempered glass and protective cases. The central symbol is a minimal gorilla figure whose facial contours also form the letter T, a reference to technology. The gorilla shape suggests strength and safety, while space and futuristic elements express the technical character of the brand. The logo is built on simple geometric forms. Two gorilla figures can be combined, and their expressions can be varied, so the identity adapts to many media and sizes.

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Brand: Studio Nur Design Type: Brand Design Classification: Graphic

Hunguest Hotels

Hunguest Hotels is a brand identity created for a Hungarian hotel group. The identity communicates a commitment to quality and consistency. The work included a redesign of the existing logo and of all visual elements, from hotel signage to printed materials. Many of the hotels are connected with spa and wellness centers, so the design shows a link with water. The logo is a capital H formed from drops of water, and the main brand color is blue. Letterpress printing, embossed leather menu covers and engraved wooden signage were used.

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Brand: Pan Shurui Design Type: Illustration Classification: Graphic

Yanzhou IP Design

Yanzhou IP Design is a series of illustrations created for Yanzhou Ancient City, a historic place in Zhejiang Province, China. The illustrations turn regional cultural elements into a character based visual identity. The scenes show local architecture and folk customs through layered colors and a calm atmosphere. All artwork was drawn with graphic design software at 3600 by 3600 pixels and 300 dpi. The aim is to present the culture of the ancient city in a form that suits modern taste and to support its protection.

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Brand: Guo Tingting Design Type: Corporate Identity Classification: Graphic

La Gambeta

La Gambeta is a corporate identity for a designer store in Yiwu, China, that sells women's accessories, perfume and other daily goods. The logo joins the letters L and G with the form of a traditional Chinese knot, a circular structure and gemstone shapes. The visual language is drawn from Chinese flower and bird painting, reworked with the support of artificial intelligence tools. The identity extends to the product packaging, where each fragrance is extracted from the plant shown on the pack, such as peach, apricot or pear blossom.

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Brand: TANG-HSUAN LIEN Design Type: Visual Image Design Exhibition Classification: Graphic

End-Point Start-Point

End Point Start Point is a graphic design exhibition. The exhibition explores the sense of emptiness that can follow the completion of a design project. Design is presented as a cyclical process, in which each end point becomes a new starting point for reflection and further work. The visual system is applied to posters, direct mail, cards, a notebook, stationery and packaging. All applications are produced with two special color printing. The exhibition was shown in Tainan, Taipei and Kaohsiung.

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Brand: Zhou Haiwen, Che Shilong and Guo Cheng Design Type: Cultural Program Classification: Graphic

China in the Classics

China in the Classics is a promotional graphic design created for a television program about ancient Chinese classics. Books form the main subject of the design. Ancient books of the East and the West are referenced, including Chinese bamboo slips, thread-bound books, parchment scrolls and hardcover books. These forms are deconstructed and reorganized into simple visual symbols. The titles of ten classics are combined with Chinese calligraphy. The gift box uses special tactile paper. The design helps people of different cultural backgrounds understand Chinese books and stories.

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Brand: Yiwen Zhang Design Type: Brand Identity Classification: Graphic

Hand over Hand

Hand over Hand is a brand identity created for a provider of special education services. The identity keeps the hand drawn hand and book elements of the earlier logo to preserve continuity and personality. Analogue, a modern typeface with gentle curves and high contrast letterforms, supports a friendly and approachable tone. Circular and square geometric cuts create a balanced composition that reflects regional and demographic diversity. The system is applied to social media, web pages, eBooks, outdoor advertising, magazines, packaging and business cards.

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Brand: Ta Wei Huang Design Type: Visual Design Classification: Graphic

Endless Cycle of Life

This design is inspired by the renowned location in Taiwan, the ChengLong Wetlands, situated in Kouhu Township, Yunlin. Utilizing the water's reflection as a foundation, the designer skillfully incorporates the destination's name, merging it with water ripples, waterfowl, and installation art. This design symbolizes the profound concept of the endless cycle of life, conveying the wetlands' revival and enduring sustainability.

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Brand: Zhiwen Tang Design Type: Self Promotion Classification: Graphic

Lunar Dinosaur Fantasy World

Lunar Dinosaur Fantasy World combines art and science in illustrations where dinosaurs inhabit the moon. Rooted in detailed paleontological and astronomical research, it presents a realm that blends the familiar with the fantastical. Designed to spark curiosity in young minds, this project merges educational content with creative storytelling, showcasing a captivating visual narrative that explores the ancient and the extraterrestrial. It stands as a powerful example of design’s role in enriching education.

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